Tina Mitchell

“Mata Hari - Without question, Mitchell gave a riveting performance.”

“Mata Hari - By taking a physical rather than vocal approach, Mitchell’s performance is a strong one: nervous and taut, Mata Hari comes across like a caged animal, constantly in search of the moment she can bolt.”

“Mata Hari - Tina Mitchell (gave a) magnetic performance. On stage throughout, she commanded every scene, and her lithe movements handsomely served the opera’s balletic requirements.”

“Miss Julia - Tina Mitchell uniquely embodies the female protagonist’s ambiguous personality using a combination of playful, ironic and melodramatic registers.
”

“Macbeth - Tina Mitchell is solid as Lady Macbeth. Her portrayal clearly shows a woman
who is possessed, persuasive and determined. Her slow progression into insanity, with a marvelously played sleep walking scene, is stunning and chilling.”

“Macbeth - Mitchell’s Lady Macbeth, for all her frenzied, greedy, disillusioned
fights for power and notoriety, is still tangibly real .... her choices
provide the audience a profoundly sad, desperately struggling woman.
One whose madness we understand.”

“Manon/Sandra - Mitchell has trained with the SITI company, and it shows:
Her physicality is riveting. As she hurtles manically
through the story of her illicit passion for an overly lavish rosary,
her body speaks the language of obsession, ecstasy
and self-punishment; across the stage.
”

“Manon/Sandra - Mitchell delivers an appropriately grating, physically brave performance as Manon”

“The Most Massive Woman Wins - All four actors provide raw and evocative performances...
Tina Mitchell is admirably brutal as Rennie”